Sharon Murphy
Mise en Abyme
photography by
Sharon Murphy
Photo Museum Ireland is delighted to present the Irish premiere of Sharon Murphy’s Mise en Abyme, a new body of work exploring Parisian carousels and theatrical décor in moments of stillness. Drawing on her background in theatre and influences from psychoanalysis and magic realism, Murphy continues her investigation into staged spaces and the performative in photography.
In Western art, mise en abyme refers to placing an image within itself. Murphy adopts this concept metaphorically to examine the boundaries between real and fictive spaces, using motifs such as theatre curtains, carousels, circus tents, and empty stages.
Her work explores the tension between hidden and revealed, illusion and disillusion, engaging with Freud’s notion of the uncanny—where the familiar becomes strange. Through presence and absence, she evokes both enchantment and unease.
This series marks a conceptual shift in Murphy’s practice, emphasizing the sculptural materiality of photography and blurring the line between real and represented space. The implied worlds are both actual and imagined, layering multiple spaces, times, and experiences. Elements of mise en abyme—doubleness, reflexivity, mirroring—enhance the depth and complexity of her visual storytelling.
Photo Museum Ireland
29th April - 29th June, 2025
Meeting House Square
Temple Bar
Dublin, D02 X406
Emma Spreadborough
You Mustn’t Go Looking
photography by
Emma Spreadborough
Photo Museum Ireland is delighted to present the first solo Irish exhibition of Emma Spreadborough’s You Mustn’t Go Looking, an imaginative body of work exploring the remnants of ancient tradition in contemporary Northern Ireland. Inspired by Brian Friel’s Dancing at Lughnasa, Spreadborough examines the intersection of religion, politics, and home, where domestic spaces symbolize safety and control, while the landscape beyond is seen as dangerous and Pagan.
Her work reflects this tension, evoking the supernatural within Northern Ireland’s mythical landscape. Staged, performative scenes suggest a haunted realm of possibility, infused with half-forgotten folk customs and childhood games. The forensic, objective style of these images is undercut by their dream-like, theatrical quality, blurring fiction and reality. These enigmatic rituals bring chaotic outside forces into the home, transforming it into a space to confront and conquer fears.
In You Mustn’t Go Looking, Spreadborough uses metaphor to explore place, belonging, and cultural memory, mirroring the uncertainty following seismic socio-political shifts in Northern Ireland. A recent census revealed a Catholic majority for the first time since the state’s formation. The landscape emerges as a site of opposing forces—past and present, tradition and change—breaking through to shape contemporary life.
Photo Museum Ireland
29th April - 29th June, 2025
Meeting House Square
Temple Bar
Dublin, D02 X406
Tōfuku-ji, Dōju-in by Amelia
Kyoto Garden The Impermanence of Being
photography by
Amelia Stein
Oliver Sears Gallery is pleased to present a series of black and white photographs, Archival Pigment Prints on Bamboo paper from Irish photographer, Amelia Stein.
Eleven photographs of timelessness and otherness of the constructed Temple Garden landscapes in Kyoto.
Japanese Gardens have had a long-held fascination for Stein who has made her unique black and white photographs for many years in the wild, open North Mayo Landscape. Stein transports her skills of visual exploration, documentation and interpretation of observed light, shape and form of natural elements to the vocabulary of these enclosed, reimagined landscapes. Selectively, the quantities and structure of the particular language of a maintained Japanese Garden, a mirror of nature, are revealed to the viewer. One of the prints has been handcoloured using lightsafe pencils. Details are finely observed in these meticulously crafted and timeless images, small meditations on the forms contained within the Gardens, and from which they are constructed.
All works will be available to view on our website oliversearsgallery.com
Oliver Sears Gallery
5th March - 30th April 2025
Private View: Wednesday 5th March, 12pm - 7pm
33 Fitzwilliam St Upper
Dublin, D02TF82
Ragnar-Axelssonn
Prix Pictet Human
Photo Museum Ireland is delighted to host Prix Pictet Human, the latest exhibition from the world’s leading award for photography and sustainability. Founded in 2008 by the Pictet Group, the award harnesses the power of photography to highlight critical global sustainability issues. This marks the ninth year that Prix Pictet has toured to Photo Museum Ireland.
The current cycle, Prix Pictet Human, presents the work of twelve outstanding photographers shortlisted for the award. Each explores our shared humanity and the complexities of our interactions with the world. Their portfolios span documentary, portraiture, landscape, and studies of light and process, addressing themes such as Indigenous rights, conflict, childhood, economic collapse, gang violence, migration, and environmental impact.
Through diverse perspectives, the exhibition examines our role as stewards of the planet, reinforcing Prix Pictet’s mission to raise awareness of global sustainability issues. Now in its fifteenth year, the award continues to spark dialogue on the urgent challenges facing our world.
Photo Museum Ireland
1st March - 20th April, 2025
Meeting House Square
Temple Bar
Dublin, D02 X406
Gerard Byrne
The Struggle With the Angel
photography by
Gerard Byrne
The Struggle With the Angel presents a suite of selenium-toned silver gelatin photographs, each hand-printed by Byrne in a darkroom built solely for this project. His images capture a vast range of subjects: pyramids in Mexico, a corrugated shed roof in Broadstone, Palestinian murals, the US Air Force, prone artists, marble nudes, graveyards, St. Francis, Gandhi, sons, mothers, friends, strangers. The accumulated references are broad and layered.
While diverse in motif, the central question for Byrne is how photographs connect worlds. His project embraces the limitations of his Mamiya 7 camera—held together by rubber bands—the constraints of film, and the impermanence of his darkroom. No computer, phone, AI software, or Instagram post plays a role in creating these images. The work embodies a recurring theme in Byrne’s practice: exploring moments of cultural and technological bifurcation—the instant an idea splits into two paths, one ultimately abandoned. His work revisits those lost possibilities, reflecting on their relevance in today’s context.
Kerlin Gallery
1st March - 5th April, 2025
Anne’s Lane
South Anne Street
Dublin D02 A028
The Angelic Conversation directed by Derek Jarman.
Living Canvas at IMMA
Outdoor Screenings
This exhibition showcases 130 works from the exceptional photography collection donated to IMMA by Dr. David Kronn, reflecting his nearly 30-year commitment to building a diverse and significant collection.
Photography has been a lifelong fascination for Irish-born, US-based Dr. Kronn, a medical genetics specialist drawn to the scientific processes of the medium. His collection spans various photographic forms, from 19th-century daguerreotypes and albumen prints to Karl Blossfeldt’s 1920s microphotography and Adam Fuss’s 1980s pinhole images.
The collection explores themes such as abstracted landscapes, seascapes, and iconic portraiture. Highlights include August Sander’s 1931 image of Heinrich Hoerle, Annie Leibovitz’s 1997 portrait of Louise Bourgeois, and Herb Ritts’s 1986 photograph of Madonna. Featured Irish artists include Alice Maher, Richard Mosse, and Amelia Stein, alongside international photographers like Harry Callahan, who worked in Ireland in the 1970s.
Currently, no Irish museum houses a major international photography collection. Dr. Kronn’s pledge to make IMMA the future home of his now 1,000-piece collection will establish the museum as a leading centre for research and a significant force in the field.
IMMA
Derek Jarman, The Angelic Conversation, 1985: 20th Jan - 3rd Feb, 2025
RDS Visual Art Awards, RDS in partnership with IMMA: 4th - 17th Feb, 2025
Royal Hospital, Military Road
Dublin 8, D08 FW31
Rich Gilligan
The First Draft
photography by
Rich Gilligan
The First Draft is an artistic homecoming, bringing internationally influenced work back to the roots of Rich Gilligan’s creative journey. This contemplative exhibition delves into themes of belonging, identity, and coming of age in suburbia. Revisiting early projects created around Blanchardstown, the artist presents non-sequential vignettes that explore the complex relationship between people and the places that shape them. Through still and moving image installations, visitors are immersed in subcultural life and transient moments of self-discovery, inviting reflections on how our environments influence identity.
Curated by Linda Shevlin, the exhibition showcases the artist’s evolution through ‘expanded photography’—an innovative approach pushing the limits of traditional image-making. These experimental, site-specific interventions challenge conventional storytelling, encouraging viewers to rethink photography’s role as a medium.
This celebration of Blanchardstown and its broader significance offers a dialogue between past and present, resonating across generations and geographies. Alongside the exhibition, an outreach project for young people explores themes of identity, complemented by a programme of curated talks, performances, and film screenings.
The Blanchardstown Centre
19ht February – 3rd May, 2025
Blanchardstown
Dublin, D15 RYX6
Adrian O’Carroll
All Flowers in Time Bend Towards the Sun
curated by
Paul Hallahan and Lee Welch
All Flowers in Time Bend Towards the Sun delves into the nuanced tensions between dualities shaping art and life. Drawing inspiration from Flann O’Brien’s writing—where themes such as rural versus urban, reality versus imagination, and seriousness versus humour are interwoven—the exhibition presents a diverse group of artists who uniquely engage with these contrasts.
Featuring painting, sculpture, installation, and video, the artworks explore how dualities coexist and often depend on one another. Nina Canell and Genieve Figgis challenge perceptions of the tangible and the imagined, while Eva Rothschild and Aleana Egan examine the delicate balance between solidity and fragility, reflecting the precariousness of existence. Samir Mahmood and Mairead O’hEocha contribute layered perspectives: Mahmood’s work addresses themes of identity, migration, and spirituality through cultural and religious lenses, while O’hEocha’s reinterpretation of landscapes bridges the familiar and the estranged.
This exhibition is not merely a presentation of oppositions but a thoughtful meditation on their interconnectedness. All Flowers in Time Bend Towards the Sun invites audiences to reflect on the complexities of existence, illustrating how contrasts are not strictly oppositional but deeply intertwined, like flowers bending toward the sun.
The Coach House Gallery
Feb 14th - May 11th ,2025
Dublin Castle
Dame Street
Dublin 2
Charlie Mallon in the fields by Yvette Monahan
The Clean Blue of Linen
photography by
Yvette Monahan
"The Clean Blue of Linen" is a photography project by Yvette Monahan, documenting the role of chemical-free flax farming at Mallon Farm in County Tyrone. Commissioned by We Feed The UK and exhibited at Belfast Exposed, the project is part of a national campaign to raise awareness about climate change, wildlife recovery, and social justice through storytelling.
At the heart of the project is Mallon Farm, where flax farmers Helen Keys and Charlie Mallon are reviving flax farming as part of a sustainable agricultural model. Their work is breathing new life into Northern Ireland's linen heritage while rejuvenating the land, soil, waterways, and wildlife. Their approach strengthens resilience in Northern Ireland's food and farming systems.
Yvette reflects: “The most vital lesson from this project has been the undeniable power of personal passion in creating change. Helen and Charlie have transformed the land from a dairy farm into a biodiverse flax, food, and wildlife ecosystem. They have inspired a new generation of artists, designers, and makers and instilled in them a deep appreciation for flax as a natural resource, giving us hope for a sustainable future.”
Accompanying the images is "The Opposite of Apocalypse," a poem by Irish writer Abby Oliveira, celebrating flax farming’s potential to unite communities and reshape the future of farming.
The project underscores the importance of diverse crop rotation and farming practices in building resilience against climate change.
Belfast Exposed Photography / Archive Gallery
6th February, 2024 - 22nd March, 2025
Exhibition launch with live poetry by renowned Irish writer Abby Oliveira - Thursday 6 February
Panel discussion - Saturday 8 February, 2pm
Live Action Linen / interactive NI Science Festival event - Friday 14 February, 10am & 2pm
Donegall Street
Belfast BT1 2FF
Erris by Amelia Stein
BogSkin
curated by
Patrick T Murphy
The RHA invites audiences to immerse themselves in an evocative exploration of Ireland’s boglands through this photographic exhibition, beginning with works from the 1970s by renowned artists Camille Souter, Barrie Cooke, Veronica Bolay, and Sean McSweeney. These artists capture the poetic essence of the bogs, from the misted blankets of Wicklow to the deep-standing peatlands of the midlands, revealing their muted colors, shifting light, and hauntingly unique vistas.
The bog’s layers of ritual and mythology are unveiled through the works of Hughie O’Donoghue, Nigel Rolfe, and Patrick Hough, who span media from painting to performance and film. Their pieces reflect on the bog as a preserver of memory and myth, touching on the ancient sacrifices and elemental mysteries held within its depths.
Labor and industry also find expression here. Amelia Stein’s stark black-and-white photographs evoke the tactile marks of cutting and stacking turf, while Shane Hynan documents the now-quiet industrial landscapes of milling and transport. Architect Tom De Paor recalls the ingenuity of the briquette house, a structure steeped in history and function.
The exhibition crescendos with reflections on the bog’s ecological role, its power to heal as a re-wilded carbon sink. Fiona McDonald, Catriona Leahy, and Siobhan McDonald present haunting installations that speak to renewal, resilience, and the life cycles of these ancient landscapes
The Royal Hibernian Academy of Arts
31st January - 20 April, 2025
15 Ely Place
Dublin
D02 A213
Bridget Leahy by Deirdre Brennan
Listening for Bridget
photography by
Deirdre Brennan
After the successful launch of photographer Deirdre Brennan’s Looking for Brigid photography project, Brigit: Dublin City Celebrating Women is excited to return with the second chapter of this powerful series. Listening for Brigid invites you to explore the voices and stories behind the Bridgets captured in Brennan’s lens—women of all ages, backgrounds, and spellings of the name, from Ireland and abroad.
Visitors will be able to listen to the diverse and riveting histories of these Bridgets in Gallery 18 in the Hugh Lane Gallery or online —each with her own unique journey, yet all connected by the enduring legacy of the name. Through personal stories, reflections, and the exhibition of photographs, we will explore the lives of these women and the myriad ways they embody the spirit of Brigid.
This piece is created by award-winning photographer Deirdre Brennan and edited by sound engineer Barry Connolly.
Hugh Lane Gallery
31st January – 2nd February, 2025
Charlemont House
Parnell Square North
Dublin 1, D01 F2X9
Rest by Leanne McDonagh, 2011
Bafushia
curated by
Séamus Nolan
Bafushia is an exhibition showcasing contemporary artists with Traveller heritage, offering insight into Irish Traveller life from their perspective. The Hugh Lane Gallery is proud to present this exhibition, celebrating the community’s resilience and creativity.
The term "Bafushia" was found in a Jack B. Yeats sketchbook near Telling the Cards (1898, NGI). In collaboration with Traveller participants, it was interpreted as meaning "foretelling", symbolizing imagination and the future.
Travellers selected artworks from the Hugh Lane collection to be displayed alongside contemporary pieces, guided by art educator Adam Stoneman with Michael Collins, Paddy Collins, Ann Maguire, and Mags O'Sullivan. These workshops fostered a Traveller-centered perspective on the gallery’s collection.
Irish Travellers, a recognized ethnic minority, have a rich history of traditions, language, and nomadic culture. While facing racism and marginalization, their strong creative traditions remain central to their identity.
Curated by Séamus Nolan in collaboration with Hugh Lane Gallery and Pavee Point Traveller and Roma Centre, Bafushia is made possible by the dedication of the exhibiting artists, Jessica O'Donnell, Caoimhe McCabe, and the workshop leaders.
Hugh Lane Gallery
29th January – 27th April 2025
Parnell Square
Dublin 1, D01F2X9
Aftermath of Bog Fire #1 from the miniseries ‘Beal’ by Shane Hynan, 2020
Periodical Review 14 A Language to Shout In
Periodical Review (2011–ongoing) is a long-running curatorial project that revisits and examines contemporary art practices in Ireland. Acting as a space for critical reflection and collaboration, each edition aims to foster new readings, crossovers, and debates within the art community. Instead of a conventional group exhibition, the project transforms the gallery into a journal-like space, presenting artworks in dialogue to encourage conversations within the field.
For each iteration, PP/S invites two peers—curators, artists, writers, or educators—to nominate significant artworks, exhibitions, or projects they encountered over the past year. Through this editorial process, the exhibition captures a range of subjective perspectives, shaped by personal, geographical, political, or institutional contexts. While curatorial unity isn’t a goal, thematic threads often emerge organically.
By highlighting artist-led initiatives, independent projects, commercial galleries, museum exhibitions, performances, and publications, Periodical Review offers an expansive view of Ireland’s visual art landscape. It creates a platform for dialogue, critical reflection, and greater engagement with contemporary practices, providing an accessible survey for a broader audience.
The exhibition is accompanied by texts from curators and an essay commissioned with Paper Visual Art Journal. This collaboration enriches discourse while building a lasting record of Ireland’s contemporary art scene.
Pallas Projects / Studios
7th December 2024 – 25th January 2025
115–117 The Coombe
Dublin 8, D08 A970
Tabernacle under a Vaulted Sky by Pauline Rowan, 2024
Under a Vaulted Sky
photography by
Pauline Rowan
Pauline Rowan spent 18 months working with a small community in relation to a deconsecrated convent and its abandoned gardens, both marked for demolition. Collaborating with the convent’s transient residents and evicted nuns, she explored our connection to home, particularly focusing on the garden and society's impulse to control land. The project also addresses the emotional journey of individuals who knew their sanctuary would soon be destroyed, severing the long-standing relationship between the site, nature, worship, and growth.
Under a Vaulted Sky is an extensive body of work, combining portraits, still life, and documentary photography, intertwined with Rowan’s performative responses. Created during a pivotal moment in Irish history, the project reflects the country’s separation from Catholicism and the rediscovery of spirituality. Rowan believes that in this transition, remnants of Ireland’s pagan past emerge from the rubble.
Her photographs depict the powerful clash of inside and outside spaces: statues decaying, nature encroaching on man-made structures, and women symbolizing both life-giving force and the control imposed by patriarchy. Through botanical and religious imagery, the work critiques the restrictive nature of Catholic dogma.
Pauline Rowan is an Irish visual artist working predominantly in photography, exploring themes of ritual, belonging, and home.
The Royal Hibernian Academy of Arts
23rd November, 2024 - 2nd February, 2025
15 Ely Place
Dublin
D02 A213
Stagger by Pádraig Spillane, 2014
Skin/Deep
Perspectives on the Body
curated by
Darren Campion
Skin / Deep brings together provocative perspectives on the body in contemporary Irish photography and lens-based media. The featured artists explore the social, psychological, and material realities of embodiment—what it means to be a ‘body’ in the world today. Through diverse practices, they challenge assumptions about gender, sexuality, and selfhood as they manifest through the body.
This exhibition argues for a fresh perspective on bodily experiences that have long been marginalized, making space for diverse identities and lived realities. While society imposes norms and expectations, the artists illustrate how our bodies provide a unique lens through which we experience the world, often in ways that defy conventional ideas of the body.
Skin / Deep also surveys contemporary photographic practices, with artists experimenting across photography and digital media. In a world where technology influences how we perceive our bodies—from social media to dating apps—this exhibition recenters authentic bodily experiences, prompting reflection on the essential, increasingly urgent questions of human identity and embodiment.
Photo Museum Ireland
23rd November - 8th February, 2025
Meeting House Square
Temple Bar
Dublin, D02 X406
Deep Time Feeling by Catriona Leahy, 2024
Nature’s Own Darkroom
photography by
Catriona Leahy
Nature’s Own Darkroom is a compelling body of work developed from Catriona Leahy’s research on the degraded peatlands in Ireland’s midlands due to industrial extraction. The exhibition explores parallels between the bog and a photographic darkroom, revealing how each preserves hidden elements until exposed and transformed. Just as a photographic negative remains latent in a camera's dark confines, the bog remains untouched by time until disrupted, leading to irreversible change.
Leahy employs experimental analogue photography, drawing, and installation to highlight human impact on these landscapes. By cutting and collaging her photographic negatives, she mirrors the layered, sedimented nature of the bog, capturing the residues of her touch. This process, precise as a scalpel, echoes the wounds inflicted on the boglands, drawing uncomfortable parallels between human skin and Earth’s vulnerability. The scars in her works serve as visual reminders of our damaged environment.
While underscoring this violence, Leahy’s careful handling of materials suggests a call for collective ecological care. In an era of environmental collapse, she challenges us: how might we mend our Earth, tending to its wounds with the patience it deserves?
The Royal Hibernian Academy of Arts
23rd November, 2024 - 12th January, 2025
15 Ely Place
Dublin
D02 A213
Bridget Sweeney at the Gap of Dunloe, Killarney, Co. Kerry, c. 1860 - 1870 (STP _2852)
People & Places: Ireland in 19th, 20th & 21st Centuries
The National Library of Ireland holds over five million photographs, forming a unique and vivid record of Irish life across generations. This exhibition showcases 50 selected images, capturing the people and landscapes of Ireland from the 1850s to the present day.
People and Places spans from 1858 to 2021, showcasing the evolution of photography from analogue to digital. Highlights include iconic collections like the Clonbrock, Lawrence, Poole, and Wiltshire collections, as well as the 2020-2021 Press Photographers of Ireland’s “Life Under Covid-19 in Ireland” video, exhibited for the first time since its donation. The display features a range of photographic forms, from early salt prints and stereo pairs to contemporary digital photography, illustrating Ireland’s rich visual history.
National Photographic Archive
Running until 2025 / 10am–4pm Monday to Sunday
Meeting House Square
Temple Bar
Dublin 2, D02 WF85
Safe Harbour by Róisín White, 2024
Safe Harbour
photography by
Róisín White
Dún Laoghaire-Rathdown County Council presents Safe Harbour, an exhibition of works in progress by Róisín White.
Safe Harbour explores our relationship with the sea, balancing leisure and play with its power, strength, and unpredictability. Focusing on the history of Dún Laoghaire Harbour and its connection to the bay, Róisín examines how we engage with these waters, holding both caution and comfort in mind.
Built from granite quarried in Dalkey and transported via The Metals, the Harbour became a refuge for boats and ships during storms and harsh winters. The piers function like a sheltered bay, offering a sense of security, yet this space holds a tension — we are aware that the sea can be an unforgiving force. These spaces of natural embrace serve as places for pastimes, solitary reflection, and joyful gatherings.
Róisín’s sculptural forms and imagery evoke our memories and experiences of Dún Laoghaire Bay, using a variety of materials to explore different levels of comfort and security.
The exhibition is part of a public art commission funded by the Department of Housing, Local Government and Heritage under Dún Laoghaire-Rathdown County Council’s Public Art Programme.
Róisín White is a Dublin-based visual artist working with photography and mixed media sculpture.
Municipal Gallery dlr Lexicon
8th November, 2024 – 19th January, 2025
Haigh Terrace, Moran Park
Dun Laoghaire
Dublin, A96 H283
My Last Day at Seventeen: Aisling and Jemma’s First Communion, by Doug DuBois, 2011
David Kronn Photography Collection
This exhibition showcases 130 works from the exceptional photography collection donated to IMMA by Dr. David Kronn, reflecting his nearly 30-year commitment to building a diverse and significant collection.
Photography has been a lifelong fascination for Irish-born, US-based Dr. Kronn, a medical genetics specialist drawn to the scientific processes of the medium. His collection spans various photographic forms, from 19th-century daguerreotypes and albumen prints to Karl Blossfeldt’s 1920s microphotography and Adam Fuss’s 1980s pinhole images.
The collection explores themes such as abstracted landscapes, seascapes, and iconic portraiture. Highlights include August Sander’s 1931 image of Heinrich Hoerle, Annie Leibovitz’s 1997 portrait of Louise Bourgeois, and Herb Ritts’s 1986 photograph of Madonna. Featured Irish artists include Alice Maher, Richard Mosse, and Amelia Stein, alongside international photographers like Harry Callahan, who worked in Ireland in the 1970s.
Currently, no Irish museum houses a major international photography collection. Dr. Kronn’s pledge to make IMMA the future home of his now 1,000-piece collection will establish the museum as a leading centre for research and a significant force in the field.
IMMA
28th Oct, 2024 – 26th Jan, 2025
Royal Hospital, Military Road
Dublin 8, D08 FW31
Untitled from the series ‘‘Stay Forever More’’ by Patryk Gizicki, 2024
Talents 2024
Early Career Artist Award
Photo Museum Ireland is delighted to present this exhibition of new work developed through our Early Career Artist Awards, an annual mentorship residency for the most promising photography and media graduates from across the island of Ireland.
In the exhibition, Dee Byrne considers the theme of female inheritance through her own family story, Patryk Gizicki creates a semi-fictional narrative of adolescence centred on his hometown of Castlebar, Co. Mayo, and Spencer Glover explores the complex relation between photography and memory. All the artists present innovative installations that showcase their cutting-edge practices.
This exhibition represents the fourth cycle of the Awards, established in 2020 to provide essential curatorial guidance and resources for recent photography and media graduates as they embark on their artistic careers. To make up the shortlist for the Early Career Artist Awards we invite tutors from degree courses across the island of Ireland to each nominate two graduating students.
The nominees submit a project proposal and based on this three artists are selected for the programme by the Museum’s curatorial team in collaboration with guest mentors. Over the course of this year-long programme the recipients have an opportunity to create new work with ongoing support from our curatorial team, workshops and mentorship from industry experts.
Photo Museum Ireland is proud to support and encourage the growth of new creative talent in Irish photography. The Early Career Artist Awards are a key part of our artform development programmes. They empower the recipients to develop sustainable individual practices, making a significant contribution to the exciting future of photography in Ireland.
Photo Museum Ireland
24th October – 17th November 2024
Launch & artists’ tour - 24 October / 6pm
Meeting House Square
Temple Bar
Dublin, D02 X406
House of Memory / بيت الذاكرة by Basil Al-Rawi
House of Memory / بيت الذاكرة
photography by
Basil Al-Rawi
House of Memory / بيت الذاكرة invites viewers into a Virtual Reality experience based on the personal photographs and narratives of the Iraqi diaspora, contributed to the Iraq Photo Archive. Developed from Basil Al-Rawi's PhD research at the Glasgow School of Art, this crowd-sourced project encourages participants to share images from their personal collections and engage in filmed conversations about the memories they evoke. These dialogues explore both sensory and emotional details from the moments captured—reflecting on past lives, present realities, and imagined futures.
In House of Memory, recorded conversations and original photographs are re-imagined within a digitally constructed environment. Viewers enter a virtual reconstruction of a traditional Iraqi ‘Shanasheel’ house, a central space for experiencing these layered memories. As participants interact with a photograph in the virtual space, they are transported into a 3D recreation of that memory, hearing the voices and recollections of individuals from Iraq’s past. This immersive environment offers a counter-narrative to traditional representations of Iraq in entertainment media, focusing instead on collective memory, cultural heritage, and a more nuanced portrayal of Iraqi stories.
By connecting people through these personal archives, House of Memory builds a shared history that challenges one-dimensional portrayals of Iraq, adding depth to the understanding of its diverse and resilient culture.
Digital Hub Development Agency
1st November - 17th November, 2024
The Digital Hub
Dublin 8, D08 TCV4
ENERGY: Redistributing Power and Taming Consumption
presented by
PhotoIreland and the FUTURES Photography Platform
ENERGY: Redistributing Power and Taming Consumption is a group exhibition, an anthology of diverse photography projects focusing on energy, one of the most relevant and complex topics today, and one which everybody has to deal with either as a private or as a public matter. The show comprises work by eight international artists from the FUTURES Photography Platform, of which PhotoIreland is the Irish representative.
From personal stories to documentary and social approaches, to the exploration of the limits of photography as a medium seeking new forms of narration, each photo series and multi-media installations lined up in the ENERGY: Redistributing Power and Taming Consumption exhibition could stand on its own as a case study, providing a condensed representation of the ideas associated with this multilayered topic. While some projects talk about the destructive forces of energy in warfare or in extractivist society (Tanja Engelberts (NL); Yana Kononova (UA), others explore existing strategies as possible solutions (Dávid Biró (HU); Umberto Diecinove (IT); Antonio Guerra (ES), exemplify desirable companionships (Yana Wernicke (DE) and reflect on healing (Hien Hoang (VE/DE). Finally, there is a perspective on how the colonial and capitalist structures shaped contemporary cities and how the energy of presence in these spaces could be a form of resistance (Marta Pinto Machado (CV/PT).
Each year, a number of FUTURES members co-curate an international travelling exhibition. The exhibition is launched at the members’ respective countries accompanied by the Meet Up event that acts as a get together point for invited international and local professionals and local artists. This year’s exhibition ENERGY: Redistributing Power and Taming Consumption is co-curated by members FOTODOK, PhotoIreland, and the Robert Capa Contemporary Photography Center, with Fotomuseum Antwerpen with Trigger as publishing partner. The Dublin exhibition is curated by Ángel Luis González and Julia Gelezova (PhotoIreland), with the support of Emese Mucsi (Capa Center) and Daria Tuminas (FOTODOK).
launch: 6pm Thu 17th October
exhibition: 18th October–17th November 2024
North Bank House
Coopers Cross Campus, corner of Castleforbes and Sheriff Street
Dublin 1
Hope In Focus
Photography by
Enda Bowe
Commissioned by mental health organisation Aware for Aware Mental Health Week 2024, this portrait series aims to highlight the unique, yet universal experience of depression, along with celebrating the resilience and multifaceted lives of those affected. Together, we can change perceptions, foster understanding and promote a message of hope. Aware Mental Health Week (7-13th October) is an annual awareness campaign designed to increase awareness and understanding of depression. Find out more at www.aware.ie.
The Royal Hibernian Academy of Arts
7th October - 13th October 2024
15 Ely Place
Dublin, D02 A213
Ruth Medjber
Her, Allure
Photography by
Ruth Medjber
Photo Museum Ireland is delighted to present the premiere of Ruth Medjber’s Her, Allure (2024), a visual journey through the landscapes and moments that have shaped her life. In 2024 Medjber was commissioned by Peugeot to create a unique body of work responding to the theme of ALLURE. The work presents a series of evocative and striking images, featuring rich colours and dynamic compositions. Medjber has a talent for conveying deep emotions and compelling narratives, simultaneously intimate and powerful.
For Medjber, ALLURE is more than a fleeting feeling—it is a force that has propelled her across Ireland, guiding her to pivotal places in her life. This photographic odyssey reflects on the paths she has taken—choices defined by a restless curiosity and a rejection of convention. In this new work, we see Medjber’s interpretation of ALLURE as an ancient energy, a nomadic instinct that urges us to move, to seek, and to connect.
‘ALLURE embodies my yearning for a life fuelled by the freedom to wander, to remain ever-dynamic and in motion.’
— Ruth Medjber
Photo Museum Ireland
October 15th - October 19th, 2024
Quiet & Sensory-Friendly Hours - October 17th
Artist Led Exhibition Tours - October 18th
Artist Talk with Ruth Medjber - October 19th / 13.00
Meeting House Square
Temple Bar
Dublin, D02 X406
photo from @enda35mm flier @holliegilson
Tøn Gallery presents the work of Seán Hillen and Ishmael Claxton in an exhibition that explores the artists’ role in society. The two artists represent the emerging and established side of art making, combining youth and maturity in an exhibition reminiscent of collaborations between Basquiat and Warhol. Both artists are distinctly involved in representing contemporary culture and harness various aspects and notions of community.
Ishmael Claxton, a New York-born photographer who has called Dublin home for the past ten years, found his voice through photography, channeling his creativity into a successful career as a professional visual artist. His work serves as a lens through which he examines society, using photography as a tool to reflect and interpret the complexities of an ever-evolving world. As a co-founder of the ÍOVA Club, a photographer-led collective, Ishmael is dedicated to empowering image makers by providing a platform for their unique perspectives. His photography merges sharp social commentary with a deeply personal artistic vision, offering viewers a thought-provoking exploration of contemporary life.
“Hillen’s surreal juxtapositions inhabit a weirdly prescient and ruefully realistic representation of contemporary Ireland” wrote Fintan O’Toole, who also wrote “his works from the Troubles era remain the best example of what it felt like.” The ‘IRELANTIS’ series of the 1990’s have themselves become part of the cultural landscape, widely studied and published on over 40 book covers etc. He has been described as “The artist of record”; “probably Ireland’s funniest artist”, “probably the most-censored artist in Britain & Ireland” and “a National Treasure” His prizewinning biopic “Tomorrow is Saturday” was recently released on Netflix.
Tøn Gallery
October 4th - 30th, 2024 / 6-9pm
25A Temple Ln S
Temple Bar
Dublin 2
D02 KV62
Lucas Sousa
32 Exposures
Curated by
Lucas Sousa and Rishab Jangid
32 Exposures is a striking exhibition that brings together the work of five photographers to capture the essence of Ireland through its 32 counties. Curated by Lucas Sousa and Rishab Jangid, the show highlights both Ireland’s breathtaking landscapes and its vibrant communities. This dynamic curation provides a fresh perspective on the country’s rich diversity, featuring a mix of landscapes and portraiture that brings the story of Ireland to life.
Currently on display at Stay True Tattoo in Dublin, located at 12 Anglesea St, Temple Bar, D02 Y033, the exhibition runs until September 29th, open daily from 12 PM to 6 PM. The show will then travel to Boundary Taproom in Belfast (310 Newtownards Rd, BT14 1HE), where it will be hosted from October 6th to October 20th.
With plans to expand, the exhibition seeks to grow by featuring new photographers and hosting shows in various locations across Ireland. 32 Exposures is a celebration of contemporary photography, showcasing talent now, rather than waiting years for recognition.
Be sure to experience this remarkable collection before it moves to its next destination!
Stay True Tattoo
September 12th - 29th, 2024
12 Anglesea St
Temple Bar
D02 Y033
Boundary Taproom
October 6th - 20th, 2024
310 Newtownards Rd
BT14 1HE
Untitled #3 from the series “Best Laid Plans”, 2024
BEST LAID PLANS
Photography by
Mandy O’Neill
The Irish Architectural Archive presents Best Laid Plans, an exhibition by visual artist Mandy O’Neill. In this body of work, O’Neill uses expanded photography to explore housing and planning in Cabra, Dublin, while reflecting on the area’s historical and ideological roots. The exhibition traces the development of Cabra from its origins as a Dublin Corporation housing scheme in response to inner-city slums, to contemporary large-scale housing developments.
Through photo-walks, time-lapse photography, and direct engagement with local residents, O’Neill documents the evolving landscape of the suburb. Her work captures both the physical changes and the lived experience of housing, illustrating the impact of planning on daily life.
Best Laid Plans is the outcome of O’Neill’s four-year, practice-based PhD research at Dublin City University, supported by the Irish Research Council. The exhibition highlights the complex relationship between planning, communities, and the built environment, offering a layered, thoughtful exploration of past, present, and future transformations.
Irish Architectural Archive Architecture / Gallery and First Floor rooms
September 19th - November 29th 2024 / 10am - 5pm
Irish Architectural Archive
45 Merrion Square, Dublin 2
Dublin 2
Jana Bulochova
Echoes of Ireland: Literature in Light and Lens
Presented by
ÍOVA Photography Collective
“Echoes of Ireland: Literature in Light and Lens” is an art show that merges the evocative power of Irish literature with the visual storytelling of photography. This exhibit invites photographers to choose a poem, short story, or literary excerpt from Irish literature and create photographic works that capture the essence, themes, or emotions of the selected texts. Artists can also enter work they have previously made, whether it’s portraiture, street, abstract or any other style they chose.
The event will celebrate the rich cultural heritage of Ireland through a contemporary lens, highlighting the lives of individuals and communities.
The IOVA Photography Collective has brought together photographers from around the world over the past five years, fostering a community focused on authentic representation and storytelling. @i.am.madds , @bylo_photography , @1killogram , @asa_barrington , @_steveturner_ , @joe.photo.sterling , @chris_doolan_photography_ , @thebaz_dublin , @milimervesagit , @theshiningflower , @hazelcoonagh , @snavan , @lucassousafilm , @btricks , @patrykgizicki , @philiparneill , @analoguenomad95 , @gordon_leonard , @christinemadeleineredmond , @amyoriordanart , @alexdelchill , @km.sharkey , @tra.my.nh , @holliegilson , @stormxlr , @kateswiftphoto , @narryphotographyvids , @jamied1969 , @elise_desmet_photography , @niamh_swanton , @rowan0brien , @dickiehogan , @catala.art , @harryphipps.photography , @1eurofiddy , @johnrfoley , @seanhillenartist , @enda35mm
Reds Gallery Dublin
20th September - 26th September, 2024 / 12pm - 4pm
21 Dawson Street
Dublin, D02 TK33
Lutz Dille, Ireland, West Coast, 1982. © The Estate of Lutz Dille / courtesy Stephen Bulger Gallery
Picturing People
Presented by
Print Gallery
The National Gallery of Ireland celebrated humanity in all its forms in this photography exhibition showcasing works recently acquired for the national collection. Picturing People featured over 70 photographs by Irish and international artists such as Lee Miller, Elliott Erwitt, Inge Morath, Dorothea Lange, Eamonn Doyle, Dennis Dinneen and Aoife Shanahan. For the first time, works by artists including Gilles Peress, Jill Freedman and Markéta Luskačová were on display at the Gallery.
From chats on street corners in Dublin to pilgrims ascending Croagh Patrick in Mayo; from lovers on park benches in New York to passengers on buses in Liverpool, discover people and communities through the decades at this free exhibition.
Curator: Sarah McAuliffe
National Gallery
11th September -5th December 2024
Merrion Square West
Dublin 2
Hannah by Enda Bowe
Hannah
Photography by
Enda Bowe, Hannah
Inspired by cinema, painting and poetry, the photographs that make up Bowe’s latest series, Hannah convey a sense of the subject’s internal dialogue, visually capturing unseen and intimate gestures, emotions and quiet moments that occur daily, almost without us knowing. The RHA is delighted to exhibit Bowe’s latest photographic series in the exhibition Hannah this autumn, on view in the Pádraig O’hUiginn Gallery.
The series can be interpreted as a film of Hannah’s everyday life made through still photographs, away from the view and expectations of an audience. In this way, each scene becomes a reflection of our own internal worlds, expressed through Hannah’s presence in her own world, on her own stage. Alone in a room surrounded by an unnamed city, and by thousands of unseen people, the unknown becomes her backdrop.
The work was made in a similar manner as a film director, by shaping a series of scenes within a film to delineate a story and emotional journey. A rhythm, feeling and intention is harnessed; moments are hooked in time. The photographs are lifted from a visual recording of time, capturing a synchronicity of understanding between subject and photographer, both parties focused on the presence and emotions contained within the room. Within each lifted frame, we are party to glimpses of an imagined reality and emotional journey through changing feelings, days, light and seasons.
Bowe enjoys the collaborative process of working with artists of other forms, often writers and music producers. For this project, he collaborated with award-winning writer and playwright Lucy Caldwell, who wrote a short piece of fiction to accompany the finished series.
Caldwell’s work often illuminates the private worlds of young women, and in her text, written in the second person, she both responds to the vivid sense of Hannah’s interior dialogue with herself, and also draws on her own experiences and memories of times of statis and uncertainty.
Tender and vulnerable, the photographs are suffused with longing, a sense of searching and an awareness of the myriad joys and sorrows a day can contain, lingering on the moments that resonate with us all.
Bowe’s experience of working as Lenny Abrahamson’s set-photographer on his acclaimed series’ ‘Normal People’ and ‘Conversations With Friends’ was an important inspiration for Hannah. The marriage of the cinematic process with his photographic practice shapes the direction of his work today.
The Royal Hibernian Academy of Arts
24th August - 1st October 2024
15 Ely Place
Dublin
D02 A213
Untitled from the series “Pebbledash Wonderland”
Pebbledash Wonderland
Photography by
Shane Lynam
Photo Museum Ireland proudly presents the premiere of Shane Lynam's Pebbledash Wonderland (2014–2024), a photographic exploration of his adopted home city, Dublin. This exhibition builds on Lynam’s long-term engagement with urban spaces across Europe, pushing his practice into new, subjective, and narrative directions. It’s Lynam's third major body of work, following his acclaimed book Fifty High Seasons (2018) and Contours (2013).
Returning to Dublin in 2012, Lynam began mapping his encounters with the city’s diverse architectural environment. His work spans Ireland’s post-crisis years into the current era of multinational-fueled economic expansion, capturing Dublin’s transformation as new construction disrupts established neighborhoods.
Pebbledash Wonderland is not a polemic on development but a personal, intuitive representation of the city. Formed by walking and photographing, the work reflects Lynam’s role as both observer and participant, evoking the intangible sense of being present in the city.
A companion piece, This is it, this be all, is shown as a projection installation. Focused on intimate, domestic scenes, this series was created in 2020 during a period that blurred the line between public and private spaces.
Pebbledash Wonderland offers a timely reminder of the complexity of a contemporary city, which must be felt, lived, and recorded in small, seemingly insignificant moments. This exhibition invites viewers on an imaginary walk through Lynam’s abstracted, subjective spaces.
Photo Museum Ireland
August 24th - October 12th, 2024
Launch event - September 5th / 6pm
Artist’s Talk - September 26th / 7pm
Meeting House Square
Temple Bar
Dublin, D02 X406
Derek Speirs
Pavee Pictures
photography by
Derek Speirs
Through the photographs of Derek Speirs, Pavee Point Traveller & Roma Centre explores significant events in Traveller history over the past 40 years. Visit the centre in North Dublin city centre each weekday during Heritage Week to see these excellent photographs and hear the stories behind the Traveller events depicted in Derek's photos.
Pavee Point is celebrating Heritage Week 2024 with an exhibition of photos from the 1980s and 90s by Derek Speirs, capturing important moments in Traveller history over the last four decades. (Photo above by Derek Speirs from Pavee Pictures).
On Tuesday, 20th August, from 2 pm to 3 pm, there will be a special event where photographer Derek Speirs and Martin Collins, Pavee Point Co-Director, will discuss the nearly 40-year collaboration between Derek and Pavee Point. They will explore the aims and objectives of Pavee Point during that time and how photography played a crucial role in achieving those goals.
This event offers Travellers and the wider public a unique opportunity to engage, explore shared experiences, and hear the Traveller voice in a part of our history and heritage that is often overlooked.
Pavee Point Traveller & Roma Centre
January 25th - 28th
46 Charles Street Great
D01 XC63
The photobook as a work of art event
SO Fine Art Editions & Island Photographers
Island Photographers, in collaboration with SO Fine Art Editions, is thrilled to present "The Photobook as a Work of Art" event. This gathering aims to explore the photobook as an artistic medium, delve into the experiences and future aspirations of artists, and discuss the practicalities and collaborations involved in creating photobooks. Join us for an enlightening event dedicated to exploring the photobook as an art form filled with engaging presentations, panel discussions, and opportunities to connect with fellow photography enthusiasts.
Powerscourt Townhouse Centre
10th August 2024
4pm - 5.30pm
59 William St Street
Dublin 2, D02 HF95
Brian Teeling & Jennie Taylor
In the glow of a frozen flame
The Dublin launch of in the glow of a frozen flame, a collaborative project between visual artist, Brian Teeling and art writer, Jennie Taylor that explores Crawford Art Gallery’s building and its immediate surroundings. They will be in conversation with Seán Kissane, Curator of Exhibitions, IMMA.
Evocative, subversive images and flash fiction populate this publication, capturing and entangling a stillness of a witnessing object and the frantic movements of a living gaze. Time fictionally folds and collapses to bring details from 1921-24 into a dislocated moment. Imagery and storytelling act as tools to slice, swell and exaggerate sculptures, architectural features and historic events.
Teeling and Taylor’s work is drawn from research of the gallery with a focus on the display of 18th and 19th century sculptural forms in the gallery’s iconic Sculpture Galleries, combined with events that occurred and were visible from the building during the period and the life of a local artisan from the same time.
Photo Museum Ireland
August 8th 2024 - 7.00pm
Meeting House Square, Temple Bar
Dublin, D02 X406
Cactus Forest Morning by Karl Grimes
Last Week of
194th Royal Hibernian Academy of Arts Annual Exhibition
Founded in 1823 the Royal Hibernian Academy (RHA) is one of Ireland's principal public art galleries, hosting world-class exhibitions of Irish and international artists. The RHA holds a unique position in Irish culture as the oldest artist-led visual arts institution in the country; one where art is created, exhibited and debated.
The Annual Exhibition, now in it’s 194th year is Ireland’s largest and longest running open submission exhibition showcaseing painting, sculpture, print, photography, mixed media, drawing and architectural models by Academy Members, invited Artists and work entered through an open submission process.
The Royal Hibernian Academy of Arts
194th Annual Exhibition
20th May - 4th August 2024
15 Ely Place
Dublin
D02 A213
Ishmael Claxton
African-Irish Artist Residency Award 2024-25
Photo Museum Ireland is thrilled to invite you to the opening exhibition of the African Irish Artist Residency Award 2024-25. This special exhibition showcases work from our newly selected award recipients: Ishmael Claxton, Sabrina Faria, and Tolu Ogunware.
This exhibition marks the beginning of an exciting opportunity for these artists to develop their artistic practice while visitors have a unique chance to see the early stages of their creative journey at Photo Museum Ireland. Over the next 12 months, these artists will evolve and expand their practices, culminating in the creation of new bodies of work. Be sure to return in 2025 for our New Talents Exhibition, to see how these artists have deepened their artistic approach.
The African-Irish Artist Residency Award is a prestigious initiative established by Photo Museum Ireland to support and amplify the voices of African-Irish artists and those with African heritage living in Ireland. This award seeks to foster creativity, artistic exchange, and professional growth by providing artists with the resources and opportunities needed to advance their artistic practices. Designed to highlight and showcase these artists’ unique perspectives, this award provides a platform to present and develop their work. We believe that great photography is for everyone, and we are committed to supporting the creative potential within the African-Irish community.
Photo Museum Ireland
13 July - 25 August 2024
Meeting House Square
Temple Bar
Dublin, D02 X406
Ishmael Claxton
The Lioness, The Potion, And the Wardrobe
Photography by
Ishmael Claxton
We are invited to question where the edges of the self end and the external world begins. As we witness a feisty, beautiful woman shape-shift and dance through various constructed identities and spirits, we see paradoxes of creative expression play out. The curated and invented can be the most revealing, radically honest communication, and to lean into the human form as an object to be adorned is to fully embody the self as an expansive, energetic being.
The Lioness, The Potion, and The Wardrobe investigates the worlds we can create within the chambers of our experience and the portal into meaning that is creative expression. To be an artist is to allow your soul to show itself beyond the limits of your body. When we are lucky enough to be invited into someone’s home, heart, and imagination, fantastic beauty is revealed. All shots were done using various film stocks, adding a tactile, nostalgic quality to the exploration.
This series encapsulates the essence of collaborative creativity during a time of isolation, highlighting how friendships can yield profound artistic revelations. Through Claxton’s lens, the lioness’s transformations reveal the power of personal expression and the boundless nature of identity within the confines of our immediate surroundings.
PorterShed a hAon
July 8th – 31st
opening reception
July 18th from 6:00 - 8:00pm
Bowling Green (H91 HE9E)
Karen Cox
Women of the Thar Desert
Photography by
Karen Cox
Karen Cox is an award-winning photographer who works both in Ireland and internationally. Her work spans documentary photography and photojournalism to record both known and untold visual narratives.
For this exhibition Cox documents the harsh lives and challenges of the women of the Thar Desert in India. Nothing is easy yet these women show incredible courage and resilience to survive their inhospitable environment. Extreme temperatures, distances to water supplies, access to food, education and medical care continue to be daily constant obstacles.
Galway City Museum / Galway International Arts Festival
16th July 25th - 28th July
10am–4.45pm, Sunday 12 noon–4.45pm, closed Mondays
Galway City Museum
Spanish Parade
Galway, H91 CX5P
Conor Horgan
BOKEH
Powerscourt Townhouse Centre
SO Fine Art Editions welcomes back our annual exhibition of contemporary photography. Entitled ‘Bokeh’, the exhibition features nine Irish and international photographers: Conor Horgan, Aisling McCoy, Hugh O’Conor, Linda Plunkett, Amelia Stein, David Stephenson, Sudi, Dominic Turner and Toshiya Watanabe.
Bokeh (pronounced bo-keh) is the term used to describe the beautiful, artistic blurring effect seen in the out-of-focus areas of a photograph taken with a narrow depth of field. The term is derived from the Japanese word “boke”, which translates to blur or haziness. It adds depth and visual appeal to the overall composition of the image. The photographers showcased in this exhibition have a deep understanding of various advanced photographic techniques, including the manipulation of bokeh to enhance the visual impact of their work. We are delighted to present two Japanese photographers in this year’s exhibition – Sudi and Toshiya Watanabe – alongside some of our previously featured photographers.
Powerscourt Townhouse Centre / second floor
13th July-10th August 2024
59 South William Street
Dublin 2
The Tides of Monumental Gesture
Luan Gallery
Luan Gallery is pleased to present The Tides of Monumental Gesture, a multi-disciplinary group exhibition in collaboration with Museum of Everyone: Communal.
The official opening of The Tides of Monumental Gesture will take place on Friday 12th July at 6pm with guest speaker Seán Kissane, Curator of Exhibitions at the Irish Museum of Modern Art (IMMA), Dublin.
The Museum of Everyone (MOE) is an inclusive portable platform for artists and creatives that aims to amplify diverse voices and perspectives through artist and community-led initiatives. The Tides of Monumental Gesture features the work of ten artists: Irish-Iraqi multidisciplinary artist Basil Al-Rawi, Swedish visual artist Ella Bertilsson, Irish visual artist and educator Sarah Edmondson, Éireann and I’s curator and researcher Beulah Ezeugo and cultural producer Joselle Ntumba with Adesewa Awobadejo, Romanian visual artist and researcher Istvan Laszlo, Indian visual artist and filmmaker Pradeep Mahadeshwar, Brazilian interdisciplinary artist Thaís Muniz, Irish multidisciplinary visual artist Alan Phelan, and is curated by Brendan Fox and Aoife Banks.
Dublin Street Photography Festival 2024
12th July-8th September 2024
Tuesday through Saturday from 11 a.m. to 5 p.m. and from 12 p.m. to 5 p.m. on Sundays
Elliot Rd, Ranelagh
Athlone
Co. Westmeath
Doreen Kilfeather
Buí
Photography by
Doreen Kilfeather
Buí is an exhibition by photographer Doreen Kilfeather in collaboration with stylist Aisling Farinella, showing at the Sarah Walker Gallery from June 1st -30, 2024.
A collection of photographs, featuring the photographer’s daughter Elsa Murray and fashion by Simone Rocha, were shot on location at Bothar Buí, West Cork. Themes of retreat, domesticity, women and nature are woven through the images which were created in winter and summer seasons 2020/21.
Bothar Buí is located on a secluded hillside on the Beara peninsula. Designed by renowned Irish architect Robin Walker, this modernist assemblage of farm buildings and contemporary structures works has been a retreat for artists, writers, poets, musicians, families and friends since the early 1970s.
Sarah Walker Gallery
1st June - 3rd July, 2024
The Pier
Castletownbere
Cork, P75 R984
There is no weight I cant carry by Caoimhín Gaffney
All at Once Collapsing Together
Photography by
Caoimhín Gaffney
Butler Gallery is very pleased to present All at Once Collapsing Together, a new body of work by Caoimhín Gaffney. Spanning across film, photography and writing All at Once Collapsing Together uses fiction to imagine new ways of relating to the natural world. Images throughout the exhibition act as mirrors to the healing and relief the environment can offer, with narratives fraught with climate anxiety interrupting and reframing these as temporary and fragile.
The film and texts are without traditional narratives or character arcs, aiming to create an unsettled terrain that reflects the uncomfortable emotions and sensations they discuss. The work asks us to consider how important natural sensory information is to our sense of self: what does it mean for a sound to go missing from our ecosystem? When we no longer hear our native birds, which parts of ourselves will be forgotten?
Butler Gallery
8th June - 28th June, 2024
Artist in conversation with Pádraic E. Moore on 27th June, 6pm
Evans' Home
John’s Quay
Kilkenny, R95 YX3F
Image by Goddard Orpen
A Vision of a 19th Century Lensman
Photography by
Goddard Orpen
A recently discovered collection of glass plate negatives reveals an unexpected strand to the life of Dublin born Goddard Orpen (1852-1932). As an historian, archaeologist, poet and painter he demonstrated a keen sensibility to the physical world and was an inventive photographer who captured a very broad spectrum of life. Though far from being bohemian, he was neither conventional nor a guardian of morality. He celebrated modernism and became fascinated with scientific and technological progress.
This exhibition of Orpen’s photography shows his wide-ranging interest in the world around him where his subjects were local, national and international. He had a keen eye for topographical detail displaying skill and assurance.
In documenting life in the home and on the farm, he created a sociological and historical record of his local community. His ethnographic images are rare and sympathetic examples of his interest in the cultural behaviours, mutual differences and practices of others.
Goddard Orpen was a humanist who understood the importance of imagination to the human condition. His camera work is a valuable addition to the history of Irish photography.
This exhibition compendium will be launched by William Fagan, Chairperson at Photo Museum Ireland. The book includes all 47 images in the current exhibition at Farmleigh Gallery and a short comment on each by Jeremy Hill, exhibition curator and manager of Monksgrange Archives.
Farmleigh House and Estate
15th March - 25th August, 2024
Open Tuesday – Sunday & Bank Holiday Mondays, 10am – 5pm. Closed for lunch 1pm – 2pm
Phoenix Park
Dublin D15 TD50
Young Dubliners by Daragh Soden
Young Dubliners
Book by
Daragh Soden
‘‘Young Dubliners’’ is a celebration of the unique character of Dublin’s youth. During a time of economic struggle in Ireland, a housing shortage in Dublin and austerity measures squeezing public services and domestic budgets, the young people of Ireland’s capital are championed in empowering portraits as they make the transition to adulthood. These young Dubliners are at a time in their lives when they will make decisions that will affect their futures and may determine the course of their lives. Yet, they are subject to forces beyond their direct control. Their futures, their fates, are not entirely in their own hands.They have already inherited circumstances of differing fortune and will inherit the positive and negative effects of actions taken by the powers that be. The subjects of the work are united in their youth but are divided in Dublin.
‘‘Young Dubliners’’ presents young Dubliners presenting themselves, in their own environments. There is a consistent approach in empowering the subject of each photograph, however the setting varies. Around the figure in the foreground, the extent of social division in Dublin is apparent.
Daragh Soden is an artist and a photographer from Dublin, Ireland. Currently working in the UK, he is also in his final year studying Documentary Photography in Newport, Wales.
His practice deals with contemporary social issues that often affect him personally. His approach to his work places specific, personal experience within a universal context, using predominantly still images, but also employing the use of moving image, prose and poetry. To date, his work has mainly dealt with issues surrounding youth and identity, whether that be the sudden death of a young boy in Nelson, parent-child relationships in Savior or the portrayal of a divided city’s youth facing austere challenges in Young Dubliners.
Book Launch / The Library Project
1.30pm - 15th June, 2024
4 Temple Bar Street
Dublin D02 YK53
Light Aggregates
Photography by
Linda Brownlee and Aisling McCoy
Light Aggregates brings together the work of Linda Brownlee and Aisling McCoy, with two projects that look at the messy creative process of making and imagining home. The title speaks of both the ephemerality and the permanence of building and also the parallel process of photography, which uses light and time as its base materials to generate "concrete" memories.
Light Aggregates showing at the Green Door as a part of Dunlavin Arts Festival.
The Green Door
14th - 16th June, 2024
Stephen's Street
Dunlavin
County Wicklow
Broken Spectre by Richard Mosse.
Broken Spectre
Photography by
Richard Mosse
Richard Mosse's "Broken Spectre" employs a dazzling array of photographic techniques to convey the vast, minute, and normalized devastation of the Amazon rainforest and the resulting climate change. His work aims to capture the urgency and scale of the Amazon's impending collapse.
"Broken Spectre" is an immersive 74-minute film exploring various ecological narratives in the Amazon. Richard Mosse and his team spent years documenting the destruction, degradation, and environmental crimes in the Amazon Basin and its ecosystems.
The project operates on multiple scales: microscopic imagery reveals the Amazonian biome's complexity, monochrome infrared scenes track illegal activities and indigenous activism, and airborne multispectral footage contrasts barren land with lush rainforest, highlighting the systematic destruction.
Mosse makes the invisible visible using multispectral cameras, ultraviolet botanical studies, and heat-sensitive analogue film altered by the harsh environment and burning forest. His vivid aerial maps, created with Geographic Information System (GIS) technology, show the extent of natural decimation in piercing detail.
As climate change continues to shape our era, Richard Mosse documents a rapidly unfolding catastrophe. Studies predict the Amazon is nearing a tipping point where it will no longer generate rain, leading to mass forest dieback and devastating carbon release. This will impact climate change, biodiversity, and communities globally. Mosse highlights both human sides of the tragedy: the Yanomami and Munduruku Indigenous communities fighting for survival, illegal gold miners destroying river systems, and Brazilian cowboys burning forests to create cattle pastures for international markets.
Carlisle Memorial Church
7th-23rd June 2024
Carlisle Circus
Belfast BT13 1AB
Griffith Creative Show 2024
Griffith Creative is launching on June 6th at 6 pm at our campus on South Circular Rd, running until June 13th. It is your chance to see our Graduate Student Showcase and celebrate the creativity and innovation of our graduating class of 2024!
Griffith Creative is a platform showcasing our Graduate's originality, artistry, drive, and determination.
There will be work on display from the following courses:
Griffith College Main Campus
6th-13th June 2024
South Circular Road
Dublin 8
Image from Human of Dublin series by Peter Varga
Humans of Dublin and Dún Laoghaire
Photography by
Peter Varga
Peter Varga is an author, photographer, and creator of the social media phenomenon Humans of Dublin.
Over the past decade, he has approached thousands of people on the streets of Dublin and posted over 2,500 portraits and stories to his page. His collection beautifully encapsulates the essence and spirit of Dublin through its residents. Each portrait and accompanying story serve as a glimpse into an individual's life but also as a piece of a larger narrative that celebrates the collective human experience.
These stories range from uplifting tales of love and success to poignant accounts of hardship and perseverance, illustrating the shared humanity that connects us all. By highlighting the uniqueness of each individual's journey, Varga pays homage to the city's rich cultural diversity and reminds us of the power of storytelling. His work functions as a living archive of Dublin at this point in time, capturing the city's evolving identity and preserving the voices of its people for future generations.
This 60 portrait exhibition will feature 10 unique stories created specifically for this exhibition, featuring people from Dún Laoghaire.
LexIcon Library and Cultural Centre
5th June - 25th July / launch: Thurs 6 June 6.00pm
Queen's Rd, Dún Laoghaire
Dublin
Frame from ’’Contempt (Le Mepris)’’ by Godard Bardot transferred into still image by Jean Curran
Godard Bardot by Jean Curran
The Horse
The Horse is delighted to be presenting the complete and unseen body of work Godard Bardot by Irish artist and dye-transfer printer Jean Curran.
Jean Curran is one of a handful of dye-transfer printers working in the world today and the only artist using the technique as the foundation of her practice. Curran’s previous series The Vertigo Project (composed of 20 dye-transfer prints taken from Alfred Hitchcock’s seminal 1958 film Vertigo) has been exhibited internationally, receiving wide acclaim, and now hangs in several important collections.
With Godard Bardot Curran is back, showing a new series of 13 gorgeous, handmade, dye-transfer prints created in her dark room in Co. Waterford. Taken from the original reel of Jean Luc Godard’s 1963 masterpiece, Contempt (Le Mepris), Curran carefully appropriates key narrative frames, laboriously works by hand in transforming them into still images, and re-frames their meaning. The results are both marvelous and provocative.
Contempt was the first time that Godard and Raoul Coutard (his cinematographer) had worked with Technicolor, while also shooting the film in the popular widescreen CinemaScope format. Together, they created an implosion of lush, saturated colour images in a film that has come to define the New Wave movement in cinema.
Embodying ideas of creative freedom, art, sensuality, and above all the liberty to make artistic choices based on one’s own desire, Contempt has been described as the world’s first post-modern movie.
The Horse Gallery
June 6th - July 20th, 2024
3 Bethesda Place,
Dublin
D01 EY29
Image by Rula Halwani
A Matter of Time Crawford Art Gallery
Crawford Art Gallery presents a major new exhibition, A Matter of Time (February 17–June 3) which considers temporality within a broad spectrum and focusing on the human experience. Featuring artists: Darren Almond, Kevin Atherton, Sara Baume, Cecily Brennan, Ursula Burke, Elaine Byrne, Gary Coyle, Dorothy Cross, Jamie Cross, Mollie Douthit, Amanda Dunsmore, Joy Gerrard, Rula Halawani, Rebecca Horn, Austin Ivers, Nick Miller, Brian O’Doherty, Kathy Prendergast, Gail Ritchie, Patrick Scott, Naomi Sex, Yinka Shonibare CBE, Nedko Solakov, Phillip Toledano, Daphne Wright.
Displayed over two gallery floors, and featuring over sixty works by twenty-five Irish and International artists, the exhibition alludes to and includes themes of nationhood, post-colonialism, appropriation, memory, health, urbanism, mediation, re-emergence, hope and legacy.
A Matter of Time / Crawford Art Gallery
17th February - 3rd June, 2024
Emmet Place
Cork
Image by David Otruba
TU Dublin Photography Graduate Exhibition
The Graduate Exhibition of the TU Dublin Schools of Art and Design, Media and Conservatoire is the highlight of the academic year for TU students and staff. The online catalogue represents the culmination of many years of full time study, and gives students the opportunity to showcase the results of their imagination, hard work and creative skills to the public.
The exhibition features an exciting and innovative range of work from over 200 degree students from across three different schools.
Launching Thursday 30th May from 6-10pm
TU Dublin Photography Graduate Exhibition
31st May - 8th June 2024
East Quad,
TU Dublin,
Grangegorman,
Dublin 7
Ishmael Claxton
“Echoes of Elegance: Claxton’s Beistegui Ball Exhibition”.
Photography by
Ishmael Claxton
In this body of work Claxton has reimagined the Beistegui Ball, which took place in Venice in 1951 and was known as the ‘party of the century’. With inspiration from Cecil Beaton’s archives and using some of the original costumes, Claxton has recreated scenes from the party and set them in an old Irish castle while giving the work a modern twist. There are so many layers to this indefatigable committed visionary who has brought so much focus to the practice of art in this city.
Opening reception on Friday 7th June from 6-9pm
Echoes of Elegance: Claxton’s Beistegui Ball Exhibition
8th - 11th June
The Irish Georgian Society
58 Williams Street South
Dublin
D02 X751
Arann McCormack
Between My Finger and My Thumb
IADT BA (Hons) Photography Graduate Show
Through the exhibition Between My Finger and My Thumb, the thirteen-artist collective explore the varying expressions of individual creativity. The collection reveals threads of engagement with the self, the other and the outer, each artist following that which compels. The work diverges with immersive portraiture, vulnerable installation, inspired still life, intricate analogue and dissections of societal balances. The collection maps the individual and distinct approaches to the medium while emphasizing that which binds us together; the shared act to create, to harness that which lies between the finger and the thumb.
Between my Finger and My Thumb
30 May -5th June 2024
IADT BA (Hons) Photography Graduate Show
Dun Laoghaire Institute Of Art Design + Technology
Kill Ave,
Woodpark,
Dublin,
A96 KH79
Doreen Kilfeather, 2024
Buí
Photography by
Doreen Kilfeather in collaboration with Aisling Farinella
Buí is an exhibition by photographer Doreen Kilfeather in collaboration with stylist Aisling Farinella, showing at the Sarah Walker Gallery from June 1st -30, 2024. Launch event Saturday June 1st, 5-7pm.
A collection of photographs, featuring the photographer’s daughter Elsa Murray and fashion by Simone Rocha, were shot on location at Bothar Buí, West Cork. Themes of retreat, domesticity, women and nature are woven through the images which were created in winter and summer seasons 2020/21.
About Bothar Buí - Bothar Buí is located on a secluded hillside on the Beara peninsula. Designed by renowned Irish architect
Robin Walker, this modernist assemblage of farm buildings and contemporary structures works has been a retreat for artists, writers, poets, musicians, families and friends since the 1960s.
@botharbuihouse
Buí
June 1st - June 30th, 2024
Sarah Walker Gallery
The Pier
Castletownbere
Co. Cork
Cactus Forest Morning by Karl Grimes
194th Royal Hibernian Academy of Arts Annual Exhibition
Founded in 1823 the Royal Hibernian Academy (RHA) is one of Ireland's principal public art galleries, hosting world-class exhibitions of Irish and international artists. The RHA holds a unique position in Irish culture as the oldest artist-led visual arts institution in the country; one where art is created, exhibited and debated.
The Annual Exhibition, now in it’s 194th year is Ireland’s largest and longest running open submission exhibition showcaseing painting, sculpture, print, photography, mixed media, drawing and architectural models by Academy Members, invited Artists and work entered through an open submission process.
The Royal Hibernian Academy of Arts
194th Annual Exhibition
20th May - 4th August 2024
15 Ely Place
Dublin
D02 A213
Richard Mosse
Divergence
Belfast Photo Festival
‘Divergence’ delves into how contemporary photographers are interpreting rapid digitalisation, our climate emergency and the ethical questions surrounding Artificial Intelligence. ‘Divergence’ embraces the complexity of our polarised world, with the aim to shine a light on the importance of nuance, critical thought, and interpretation, while offering antidotes for survival. Our programme aims to initiate conversations and propose alternatives by presenting thought-provoking and visually ambitious work pushing on the boundaries of the medium.
A full list of exhibitions can be found here.
Divergence
Belfast Photo Festival
6th-30th June 2024
Belfast City
Tony’s footing in winter by Shane Hynan from the series Beneath |Beofhód 2018
Changing States:Ireland in the 21st century
Touring Group Exhibition
Photo Museum Ireland & Haus am Kleistpark
Changing States: Ireland in the 21st Century is a major new touring group exhibition that looks at the ways photography has made visible the changing nature of Irish life. It concentrates on the first decades of the twenty-first century, marking 100 years since the foundation of the state. Featuring works by over 40 contemporary artists, this large-scale exhibition surveys the development of contemporary photography in Ireland. It charts how leading artists working in Ireland have addressed major socio-political developments to reflect on changing demographics, cultural identities, contested territories and social reform. The exhibition brings together diverse points of view, critically reframing contemporary life across the island of Ireland.
In recent decades the Irish state has witnessed a social revolution and contemporary artists have played a significant role in this process of change. Their critical voices have contributed to ongoing debates and have helped to challenge established power structures in post-colonial Ireland. The three chapters, Political Landscapes, Notions of Home, and Changing Identities each respond to different aspects of these changes, tracing the many ways our past continues to shape the present. The selection of works for the exhibition reflects our commitment to preserving space for open conversations and debate in cultural institutions. For this exhibition we have actively invited leading artists whose political convictions are a key element of their respective practices.
Moving from traditional documentary practices towards more socially engaged and conceptual practices to the medium, Changing States considers how artists have responded to the profound shifts that have occurred in Irish society. This survey represents the depth and range of recent Irish photography, as well as the extent to which artists have engaged with the most pressing issues of contemporary life. It charts our transformation from an insular nation-state to a more liberal, globalised and multicultural society.
Participating artists: Ciarán Óg Arnold, Audrey Blue, Enda Bowe, Noel Bowler, Simon Burch, Ala Buisir, Paul Carroll, Martin Cregg, Eamonn Doyle, Ciarán Dunbar, John Duncan, Robert Ellis, David Farrell, Emer Gillespie, Anthony Haughey, Conor Horgan, Shane Hynan, Bernadette Keating, Jamin Keogh, Shane Lynam, Martin McGagh, Yvette Monahan, Trish Morrissey, Seamus Murphy, Brian Newman, Jackie Nickerson, Kenneth O’Halloran, Shannon Ritchie, Pauline Rowan, Paul Seawright, Niamh Smith, Daragh Soden, Amelia Stein, Lorraine Tuck, Tommy Weir, and Donovan Wylie.
Changing States: Ireland in the 21st Century
6th June - 11th August 2024
Haus am Kleistpark,
Berlin,
Germany
From the show “Far Away & Close to Home” by Enda Burke
Far Away & Close to Home
Photography by
Enda Burke
Enda Burke is a photographer based in Galway. Enda's practice entails building elaborate vintage sets and concocting narratives with family and friends in them. With a particular emphasis on Nostalgia, Colours, humour and all things kitsch. His work has been featured in The Guardian, Rolling Stone Magazine, TED talks, The Observer UK, and many International publications.
Enda's work has been recently shortlisted for the Sony World Photo Awards and the Zurich Portrait Award at the National Gallery. His series “Homebound with his Parents” was the recipient winner of the international Bartur Photo Prize, Profi foto “Best of New Talent award” 2022, Lens Culture Home 21’ IMA Next “Story” Shortlisted. He recently had a solo exhibition at the Galway International Arts Festival.
”Enda is drawn to the strange monotony associated with home life, exploring humour, nostalgia, kitsch design and colour. He is interested in portraying how small transient details of colour and play can become marvels in monotonous settings.”
Far Away & Close to Home
April 12th - May 25th - Open Tuesday to Friday (10am to 4pm), Saturday (11am to 4pm) or by appointment.
Town Hall Arts Centre
Townhall,
Cavan,
H12 WV82
Cathal McNaughton from the series “Ukraine – Searching for the Normal”.
Ukraine – Searching for the Normal
Photography by
Cathal McNaughton
Pulitzer Prize-winning photographer Cathal McNaughton makes a poignant return to Belfast Exposed this April, unveiling his latest collection of images entitled ‘Ukraine – Searching for the Normal’.
These powerful photographs offer a compelling perspective on the enduring political struggles in Ukraine. McNaughton’s lens has previously captured the world’s attention with his photographic chronicles of the plight of Rohingya Muslims in Myanmar and with ‘Kashmir: Valley of Tears’, as previously showcased at Belfast Exposed. These bodies of work earned him the prestigious Pulitzer Prize for Photography in 2018.
‘Ukraine: Searching for the Normal’ exemplifies his unmatched skill and empathy as a visual storyteller, vividly narrating the tale of a nation grappling with the turmoil of war while striving to maintain an aspect of everyday life.
He dedicated two weeks to traversing Ukraine, meticulously documenting the profound impact of the war on its people. The haunting backdrop of daily funerals and the ceaseless wall of air raid sirens served as an eerie soundtrack to his time spent there. Through his lens, McNaughton uncovered a resilient populace, embroiled in the chaos of war, yet steadfastly committed to preserving a semblance of normalcy.
Ukraine - Searching for the Normal
4th April - 25th May 2024
Belfast Exposed Photography
23 Donegall Street
Belfast BT1 2FF
Olga Karlovac
Dublin Street Photography Festival
In May 2024, the DSPF will bring together the talent and artistic visions of both seasoned and emerging street photographers, by showcasing their work to the general public. The Dublin Street Photography Festival aims to raise awareness and attract new street photography enthusiasts. In addition to exhibition and networking opportunities, the festival also offers photo competition, lectures, workshops, photo walks and feedback to excite image makers, inspire them and further develop their talents.
Exhibitors include Jill Freedman Foundation, Tony O’Shea, Olga Karlovac, Richard Sandler, Gabi Ben Avraham, Melissa O’Shaughnessy, Matt Stuart, Tatsuo Suzuki, Danielle Houghton, Martin U Waltz, Shane Taylor, Polly Rusyn, Gustavo Minas, Brian Lloyd Duckett and more.
Dublin Street Photography Festival 2024
3rd-6th May 2024
Charlemont Square
Dublin 2
“Sites of Dreaming” by Shia Conlon
Sites of Dreaming
Photography by
Shia Conlon
PhotoIreland presents work by Shia Conlon. This is the tenth and final exhibition in the New Irish Works series 2023-24.
Sites of Dreaming is a project documenting the lives of trans people in Finland. The project uses photography as a tool for both archiving and building a community. Within the work, Shia tries to create moments of care and safety as a contrast to the transphobic bureaucracy of Finnish healthcare.
In a world where dialogues surrounding transness are usually centred on our fighting moments, our protests, our trauma and pain, Sites of Dreaming brings a quieter reality to the forefront. One where power is found in everyday domestic moments. – Shia Conlon
Sites of Dreaming
4 April - 5 May 2024
The Library project
4 Temple Bar Street
D02 YK53
Evelyn Hofer, Mountjoy Square, Dublin, 1966, 1977. © The artist's estate
Silent City
Photography, Prints, Painting & Drawings
National Gallery of Ireland
Silent City explores built landscapes, focusing on modern and contemporary Irish Art. The Exhibition comprises paintings, drawings, watercolours, prints and photographs from the Gallery’s collection. In these artworks, cities and towns are represented as quiet places, almost devoid of figures. Yet human presence is inherent in the built environment, which evokes the histories, activities and aspirations of its society.
The exhibition includes imaginative, abstract and faithful depictions of the built landscape. Streetscapes, urban canals, landmarks and industrial structures are represented for their aesthetic value, atmospheric quality and power to provoke memory and contemplation.
Silent City
13 April - 21July 2024
Print Gallery
National Gallery of Ireland
Merrion Square West
D02 K303
From “The Memories of Others” by Akihiko Okamura
The Memories of Others
Photography by
Akihiko Okamura
Photo Museum Ireland is delighted to present the world premiere of The Memories of Others exhibition, photobook and film on the Irish work of Japanese photographer Akihiko Okamura. This exhibit is also part of the Dublin Street Photography Festival 2024.
From the late 1960s to the early 1980s, renowned Japanese war photographer Akihiko Okamura (1929-1985) created a remarkable, compelling and largely unseen body of work in Ireland, north and south. This exhibition also launches a major programme which include sa documentary film and the first publication on Okamura’s Irish work. After covering the Vietnam War, Akihiko Okamura went to Ireland in 1968 to visit the country of JFK’s ancestors. Soon after, in 1969, he decided to move to Ireland with his family. From then on, he continually photographed the Troubles in the North and his life with his family in the South, until he suddenly passed away, in 1985. His photographs of Ireland, which have barely been seen before, demonstrate a unique artistic vision. This uniqueness is partly because Okamura chose to live in Ireland: of all the international photographers active during those years, he was in this sense a singular case of absolute commitment to Irish and Northern Irish history. This fusion with his subject matter led him to create images which were innovative both in terms of his own practice and of the photographic representation of the Troubles. His profound, personal relationship with Ireland allowed him to develop a new method of documenting conflict: poetic and ethereal moments of peace in a time of war.
The Memories of Others
11 April - 06 July 2024
Photo Museum Ireland
Meeting House Square
Temple Bar
D02 X406
“Perfect Balance” by Ishmael Claxton from Íova group show, 2024
Prism Inside
Photography by
Íova Collective
ÍOVA Collective Photography Exhibition “PRISM INSIDE” at TØN Dublin was opened on 5th April 2024.
”The rational and emotional skirmish within our consciousness as we try to balance our views in our surroundings. The world we see is both chaotic and structured and we try to make some sense for ourselves. While stability is cogent and safe, we endeavour to create, embrace and unfurl the new”.
Artists include -
@tsenija, @bylo_photography, @snavan, @edtang87, @stoneybutter, @c_bldz, @1killogram, @asa_barrington, @catala.art, @thebaz_dublin, @conorhorgan, @ciaranshoots, @bigfatwillis, @christinemadeleineredmond, @bits._, @missmaryfurlong, @dickiehogan, @amyoriordanart, @iconicphotography.ie, @km.sharkey, @jamied1969, @snapscrackle, @_steveturner_, @kateswiftphoto, @btricks, @owenbehan , @enda35mm, @rosiewalldawson, @niamh_swanton, @poilinnibhairead, @holliegilson, @markmcculloughstudio, @tessy_photography, @soniamedia26, @seanbreithaupt, @harryphipps.photography, @gregmmpurcell, @leonhelio, @milimervesagit, @hazelcoonagh, @artlaundromat, @alexdelchill, @christopherlindhorst, @stormxlr, @joe.photo.sterling, @ryanbenjaminallen, @faolancares, @tracy_staunton, @johnrfoley, @1eurofiddy, @seanhillenartist, @ishmaelclaxtonphotos
Prism Inside
April 2024 from Thursdays - Sundays
TON Dublin
25A Temple Lane South
Temple Bar
D02 KV62
Samuel Laurence Cunnane, Fabric, 2023
Late Spring is the latest instalment in a multiyear project made while driving across continental Europe. Cunnane captures moments of idiosyncratic beauty that catch his eye as he passes from place to place, documenting the surfaces and textures of urban and rural locales and the peripheral zones between them: signposts, building sites, midcentury architecture; the tangled woodlands and desolate roadsides that orbit our settlements. There’s a sense that the grandeur of modernity has ebbed away here, been layered over with new, makeshift infrastructures.
Anne's Ln,
Dublin 2,
D02 A028
1st March - 6th April 2024
Save D-Light Studios
D-Light is at huge risk of closure and we urge our landlord - Dublin City Council to move quickly and work within a reasonable timeframe to protect our arts and community vision in North Inner City Centre as part of the fading Dublin cultural scene.
We have been tenants and curators of this building for over 15 years and we believe it’s time to not only secure our existence but to support our efforts and our cultural mission.
After four years of negotiating with our landlord for a long-term lease and plans for necessary renovations to keep the building operating in its current format, we are now being forced to leave the premises due to long overdue fire safety works. We have no lease security, no time frame or schedule of works, and no support for our survival. Our exit from the building means our end.
If you believe that our space and organisation is of value please sign the petition, here is what we are asking:
1. That Dublin City Council (our legal landlord) immediately undertakes the necessary and required fire safety works while respecting our occupancy of the space.
2. To ensure our long-term survival, we urgently need DCC to guarantee our tenancy with a lease.
D-Light Studios is a social enterprise, where profits from the studio hire go directly towards developing and curating not-for-profit initiatives such as: artists’ residencies, exhibitions, music gigs, performances, shows, markets, wellbeing activities, community events, workshops and inspirational talks as well as subsidising artists’ and community rental rates.
Once all the pressing issues with the building are resolved, D-Light Projects - a not-for-profit entity is ready to continue to serve the arts, local and wider communities of Dublin. We are dedicated to curating a rich and diverse program for personal growth, collaboration and community well-being through Culture and Creativity.
When signing, please log in or check your inbox and spam folders to confirm your signature by accepting the confirmation email.
Mark Duffy, from the series On Pugin, 2019
Power on the Floor
Photography by
Mark Duffy
PhotoIreland presents two new works by Mark Duffy, On Pugin and Empty Gestures. This is the eighth exhibition in the New Irish Works series.
When Mark Duffy was working as photographer in the UK Parliament, a senior official said to him ‘you’re going to see a lot of power on the floor, you might as well pick some up’. The two projects presented in this exhibition have both obsessively collected images of corrupted power in British politics.
“On Pugin” (2019) closely surveys the ephemera, dirt and deterioration of the carpets of the Houses of Parliament. The series is named after Augustus Pugin, the architect driven mad by his work designing Parliament, whose patterns are still replicated in furnishings today. Linking Pugin with contemporary politics suggests Parliament’s emphatic commitment to preserving ‘fraying’ political heritage is impeding democratic progress in the institution. Mark Duffy made the work quickly, sneaking around the palace on his hands and knees making use of privileged access in his final days at the Houses of Parliament.
Working from outside of the institution, “Empty Gestures” (2024) makes use of the Creative Commons copyright that Duffy surreptitiously implemented on all House of Commons press images while working there, painstakingly combing through hundreds of officially released images and gathering these gestures over a long period of time. The work is made from appropriated photographs produced and distributed by the House of Commons in the past year. It is a comment on the pantomime theatrical nature of political debate, the repetition of prescribed political gestures and constantly shifting blame game that is modern politics.
Both projects emphasise the act of scrutiny. They are characteristic of his wider practice: sometimes fast and reactive, sometimes slow and laborious, his work gathers images, artefacts and materials that can help make sense of the nuanced mess that is politics and power.
Power on the Floor
February 8th - 25th
The Library Project
4 Temple Bar Street
D02 YK53
From the series “Unusual Gestures”, Elaine Tuck
Unusual Gestures
Photography by
Lorraine Tuck
Irish artist Lorraine Tuck’s newly commissioned work tells the story of a family living with autism spectrum disorder (ASD) and intellectual disability. Tuck is the mother of four children, two boys and two girls. The boys have autism spectrum disorder, which in the case of the youngest, is coupled with severe intellectual disability. Unusual Gestures provides insights into the far-reaching implications that neurodiversity and disability present for families. It explores the impacts – some subtle, some fundamental – on parental and sibling relationships, and charts the challenges and joys of everyday family life.
A further series of works in the exhibition focuses on the artist’s uncle Owen. Born in 1972 in Connemara, Owen has Down’s Syndrome and is gender fluid. At times, Owen chooses to live as a woman called ‘Pink’. Owen/Pink has collaborated with Tuck to produce a series of portraits exploring their fluid gender identity with joyful and refreshing honesty. Tuck’s work is a beautiful and clear-eyed call for acceptance and inclusion.
Commissioned and curated by Photo Museum Ireland. Developed in partnership with Galway International Arts Festival, Regional Cultural Centre, Letterkenny. The Commission and the The Arts Council.
Roscommon Arts Centre
February 2nd - March 29th
Circular Road
Roscommon
Untitled from the series “I Hope I’m Wrong”, 2022
White Blood Cells
Photography by
Mark McGuinness
On the 25th of January, Mark McGuinness and Brian Dillon are launching an audio-visual exhibition in Dublin's artist-led gallery, The Horse. The launch night is the 25th January from 6-9pm.
Brian Dillon - “White Blood Cells originated during the pandemic, as a sister piece to the album that ended up being Red Blood Cells & Righteousness, which I released in November. That album was an attempt to explore community and connection on a personal and local level, and this piece is an attempt to explore similar themes from a global and political vantage point.
As a result, the sonic element of the piece will attempt to explore the West’s reliance on global supply chains and the negative impact they can have on people in economically disadvantaged countries. Utilising audio clips, samples, aggressive electronic beats, ambience, and noise, the six movements presented at the gallery bring the listener on a sonic journey through the network that makes up the global supply chain.
Mark’s images will then act as accompanying notes on the topic, with an environmental focus that balances the humanitarian focus of the audio. The images are all taken from the ongoing project, I Hope I’m Wrong, which documents the impact human activity is having on the environment; all of the images are taken in locations in Ireland which are predicted to be heavily impacted by sea level rise within the next decade.”
White Blood Cells
January 25th - 28th
The Horse Gallery
3 Bethesda Place
Rotunda
D01 EY29
Bridget Sweeney at the Gap of Dunloe, Killarney, Co. Kerry, c. 1860 - 1870
People & Places: Ireland in 19th & 20th Centuries
The National Library of Ireland holds over five million photographs in our collections, and they create a unique and fascinating record of life in Ireland. This exhibition showcases 50 of those photographs, revealing the people and places of the island of Ireland from the 1850s to the turn of the 21st century in images.
People and Places comprises photographs taken between 1858 – 2001, representing the age of analogue photography in Ireland. Featured collections include the Clonbrock Photographic Collection, Lawrence Collection, Poole Collection, The Wiltshire Photographic Collection and more. Photographs on display include early forms such as salt paper print and stereo-pair up to more contemporary photography.
National Photographic Archive,
Running until 2025 | 10am–4pm Monday to Sunday
Meeting House Square,
Temple Bar,
Dublin 2,
D02 WF85